My Daler Sketch Pad...

I've always envied those people who can draw fluently, accurately and really make people sit up and take notice of their work. After I first saw Disney's 'Beauty and the Beast', I became fascinated by animation and the drawing processes involved - which led to me trying to copy the line drawings of various animators. Some results were OK, others not...

Having experimented with watercolour, pastel, ink and pencil, I was still frustrated by not being able to draw properly, as I saw it. When I arrived in my present job however, I found both the time and some interested friends who helped me with technique and encouragement. This page is an excuse for me to scan my sketches, and (if you're learning, or want to try) hopefully serve as encouragement. What's here are generally my absolute best efforts: the other 99% percent of my stuff is what makes landfill.

Take a look - at worst, you can have a laugh! (If this page isn't enough, you can check out pages two and three! Arrrgh!!)

My thanks to...

I owe some people my thanks for their advice, praise and encouragement. I don't really want to list them here; they are friends who've emailed me, people I know personally, people I've never met... but from many and diverse backgrounds. Thank you - you know who you are - I'll keep working on it!

A gentleman called Kimon Nicolaides, in his book The Natural Way to Draw, had it right: 'You should not care what your work looks like as long as you spend your time trying. The effort you make is not for one particular drawing, but for the experience you are having... '.


Shadow study

Shadow study: Small plastic bottle

This was one of my earliest attempts at rendering something that with any substantial shadows. I have a really strong urge to draw lines around everything - which makes drawing shadows almost impossible. I was shown how to observe shadows, and use smudging, cotton buds, soft pencils and all to make it come to life a bit more.

At the time, I was quite impressed; mainly because what I'd been doing before was diabolical.

(Derwent Graphic on Daler Series 'A')


Life/Shadow study: Juvenile lion

The original image I drew on for this was on a postcard I bought one day in Cambridge. There are surprisingly few photographs of lions around that show the whole body - even less that show the animal in any sort of active pose. This one was perfect for practising getting proportions about right, and doing more shadow work.

(Derwent Graphic on Daler Series 'A')

Life/Shadow study

Life/Shadow study

Life/Shadow study: Cheetah cub

Another postcard, the same series as the lion above. As you can see, I should have quit before starting the background...

(Derwent Graphic on Daler Series 'A')


Life/Shadow study: Leopard

This originally started from a study of the eye of this leopard. I reckon the eye is about the best thing about it.

(Derwent Graphic on Daler Series 'A')

Life/Shadow study

Life/Shadow study

Life/Shadow study: Wolf's head

After a gap of a few months, an exchange of email with some friends encouraged me to pick up the pad again. I got home late, and underneath my pad was the book 'Of Wolves And Men' by Barry H. Lopez. This wolf is an attempt to draw the one that appears on the cover. It's done in HB pencil and 5mm stick charcoal.

(Derwent Graphic & charcoal on Daler Series 'A')


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